Harper Mattraw Bangor, Maine
I make music in my bedroom. I hope you like it.
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Neon Theatre (Deluxe Version)
by Their Dogs Were Astronauts
supported by 4 fans who also own “The Crow And The Serpent”
Just a fun album to listen to!
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Prophet of Despair
by FRACTALIZE
supported by 4 fans who also own “The Crow And The Serpent”
When your instrumental metal's chug chugga chug chugs arent heavy enough, here comes Fractalize with an amazing style of music that i can only describe as rhytmic earthquakes. More like chug. chak-chak. chug chugaa CHOOM Chak CHOOM. Each song is an intense conflict taking place deep underground in the darkest, dankest cave, with interesting progression of one musical idea to another.
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supported by 4 fans who also own “The Crow And The Serpent”
Intense and interesting. Clearly worshipping at the altar of Meshuggah, and while vocals are absent that void is filled by a more intense bottom end, and guitar picking that becomes its own rhythmic instrument. This is brilliant, but I’d love to see what this guy would do with some artistic collaboration. One man bands can get stuck in one dimension and the potential shown here could be a global phenomenon with just a little tweaking. Let me finish by saying again, this is brilliant.
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Midwestern prog-metal stalwarts go for the throat on their new EP, featuring a roiling cover of the Smashing Pumpkins' “1979.”
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A brand new record from one of the best metalcore acts around.
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The Australian prog band channels the chaos of climate change into powerful songs that juxtapose beauty with unpredictable brutality.
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In Touch
by Their Dogs Were Astronauts
supported by 4 fans who also own “The Crow And The Serpent”
The amount of music and ideas in each TDWA release is a bit overwhelming. Some songs are very Joe Satriani-esque. Others are more Meshuggah. When these two aspects combine in one song--industrial djent and soulful melodies and solos--you get something really special. Some of the best instrumental prog metal that there is.
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